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Stephen Paul Miller:
The Bee Flies in May
“Miller retrieves history from unspeakable despair, as he perceives it, in disorder.... This collection shows how Miller has kept many worlds active.” —Sidereality |
Edward Foster:
Mahrem: Things Men Should Do For Men. A Suite for O
“Simultaneously erudite, puzzling, evasive, and revelatory... a fascinating examination of the self as nullity, as absence, as ‘agent of its own instability.’” —Alsop Review |
Eileen R. Tabios:
Reproductions of the Empty Flagpole
“Reproductions of the Empty Flagpole is full of lovely, surprising conjunctions: the sound of fireflies mating, the thin sliver of a distant moon, ... no premonition for such blinding light.”—Arthur Sze |
Harriet Zinnes:
Drawing On the Wall
“Exclamatory, questioning, descriptive, Harriet Zinnes’ line is one of unusual grace and lucidity.” —Randolph Healy |
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Thomas Fink:
GOSSIP: A Book of Poems
“Thomas Fink’s astonishing,
subtle poems will delight readers and teach them about rich layers of thinking and storytelling. Fink is writing delightful, important poems.” —Joseph Lease |
Jane Augustine:
Arbor Vitae
“Wherever Jane Augustine is—at home or away, webbed in family or mobbed in city...her true subject is consciousness: how it is, what it is, what it is of. Her words move and touch lightly where ‘Art is a skewed composure/ of what isn’t yet mastered.’”—Susan Tichy |
Sandy McIntosh:
Between Earth and Sky
“Like the best [American] surrealists, McIntosh realizes that the best humor is found in a tight embrace with our coming to terms with our mortality, and it’s in these black zones where we need to go.”—Steven J. Stewart, Sidereality |
Burt Kimmelman & Fred Caruso:
The Pond At Cape May Point
“The poetry of Kimmelman is precise and compact .... Caruso’s images of pond life, mostly scenic, [provide] a visual accompaniment to the lines.”—Denise Bazzett, New Pages.com: Alternatives in Print and Media |
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